Appels àcommunication de la RSA.

La Renaissance Society of America met en ligne une série d’appels àcommunications émanant de chercheurs américains et européens, ainsi que leur coordonnées pour les contacter. La majorité des appels ont expiré ; Panurge publiera les programmes des conférences.

Les thèmes sont :

– The Venetian Stato da Mar (Diana Wright)

– Urbi et Orbi : Representations of historical events in Venice (Renzo Baldasso)

– Humour in Early Modern Spain (Jose Rico-Ferrer)

– New Departures : Developments in Irish Education in the Sixteenth and Seventeenth Centuries (Benjamin Hazard)

– Domestic Intimacy in Early Modern Italy (Deanna Shemek)

– Early Modern Horror (Maria H. Loh)

– Global Romance (Elizabeth Bearden)

– Gendering Female Authority (Maria Rothstein)

– Human Movement in the Renaissance City (Nicolas Eckstein)

– Dangerous Substances (Elly Truitt)

– Open Session on Shakespeare (Phil Collington)

– Emulation, Tradition and Identity in Renaissance Music (Michael O’Connor)

– Emblematic Contexts (Mara Wade)

– Strange Bedfellows : Milton and Seventeenth-Century Women Writers (Margaret Reeves)

– Society for Emblem Studies : Emblematic Readers & Emblematic Pages (Tamara Goeglein)

– Heterogeneity of Italian Renaissance Drama (Kristin Phillips Court)

– La Fiducia : Trust Relationships in Renaissance Europe (Ricardo Court)

– Thinking and the Stage : Cognition and English Renaissance Drama (Timothy Zajac)

– Lucretius and the Renaissance (James Snyder)

– Masculinities (Kirk Read)

– Towards a Revaluation of Campanella’s Work (Peter Carravetta)

– Minor Artists of the Italian Renaissance (Norman Land)

– Relics and the Renaissance (Timothy B. Smith)

– Unacceptable Art : Rejected Commissions in Early Modern Italy (Jonathan Nelson)

– Regions and Regionalism in Early Modern France (Katherine Maynard)

– Protestant Depictions of Catholicism in Elizabethan and Jacobean Literature (Horacio Sierra)

– Renaissance Theories of Vision (Charles H. Carman)

– â€œl’abbiam fatta tutti e tre.†Collaboration and Identity in the Carracci School (Opher Mansour & Xavier Salomon)

– Social Relations in the Italian Palace (Eleonora Canepari)

– Renaissance Rulers Construct Identity I, II, III, IV (Sarah Blake McHam)

– Age and Life Passage Rituals in the Italian Domestic Interior (Maria DePrano)

– State Portraiture in the European Renaissance (Evelyn Lincoln)

– The Communication of Appearances : Dress and Identity in the Early Modern World (Gabriel Guarino)

– Connecting the Renaissance Senses : Image - Space - Text - Music (Marlene Eberhart)

– Early Modern Women’s Manuscripts (Elizabeth Hageman)

– The Politics of Education in the Renaissance (Julian Koslow)

– Ethics and Economics in Early Modern Literature (Jim Kearney)

– John Webster (Margaret Owens)

– Learning and Culture in Renaissance Bologna (David A. Lines)

– The Medici Between Florence and Rome : Art, Power, and Cultural Politics (Linda A. Koch)

– Classical Traditions in English Histories and Geographies (William Stenhouse)

– Plants, Gardens and Meaning (Jim Ellis)

– New Technologies and Renaissance Studies (Ray Siemens)

– La Celestina in its European Context (Josemaria Perez-Fernandez)

– Courts and Religion (Malcolm Smuts)

– Italian Courts and their Impact on European Court Culture (Malcolm Smuts)

– The Mapping and Forging of New Trans-Atlantic Worlds (Horacio Chiong Rivero)

– Representations of Religion “as practiced†and Popular Culture in Literary Texts of Early Modern Spain (Christina Lee)

– East and West in the Holy Land 1500-1713 (Judy A. Hayden)

– Painting, Painters, and Patrons in Quattrocento Rome (Angi Elsea Bourgeois)

– The Renaissance Commonplace Book : Form and Function (Thomas Fulton)

– Genre, Imitation, Parody (Dorothea Heitsch)

– Violence as Performance in Renaissance Art, Drama and Urban Experience (Christina Neilson and Allie Terry)

– Francesco di Giorgio Martini (Berthold Hub)

– Erasmian Humanism (Kathy Eden)

– Renaissance Ambivalence (Molly Murray)

– Family affairs : kinship and society in Renaissance Italy (Jennifer DeSilva & Catherine Fletcher)

– Constructing Marginality in Renaissance Art (Meghan Hughes)

– The Ideal and the Utopian in Renaissance Architecture and Architectural Theory (Berthold Hub)

– Hebrew Sources of the Renaissance (Zinguer Ilana)

– Montaigne and skepticism (Lodi Nauta)

– Women and Health in the Early Modern Period (Valeria Finucci)

– Renaissance Virtues (Aaron Spooner)

– On the Irrelevance of Painting (Lisa Kirch)

– Renaissance Art Crime (Noah Charney)

– Raphael (Jodi Cranston)

– Scholarly Ethics & Historical Fiction (Noah Charney)

– Perspectives on Love in Renaissance Philosophy (Jason Aleksander)

– Italian Renaissance Comedy (Massimo Scalabrini)

– Global Renaissance, Local Histories (Sean Roberts and Cristelle Baskins)

– Renaissance Nothings (Wendy Hyman)

– Reasons to write in the french Renaissance (Corinne Noirot-Maguire)

– Italian Renaissance Villas and Gardens (Cristelle Baskins)

– Renaissance Halls of State (Patricia L. Reilly)

– The Sidneys and Internationalism (Margaret Hannay)

– Lady Mary Wroth (Margaret Hannay)

– New Approaches to Portraiture in Baroque Europe (Tod Marder)

– Portraiture and Renaissance Venice (Sandra Sider )