http://www.panurge.org/ fr SPIP - www.spip.net http://www.panurge.org/spip.php?article785 http://www.panurge.org/spip.php?article785 2012-09-23T13:13:24Z text/html fr Blandine Perona <p>L’Art et science de rhetoricque metriffiée, paru en 1539 à Toulouse, est l’œuvre de <br class='autobr' /> Gratien du Pont. L’auteur y théorise la pratique des participants aux Jeux floraux <br class='autobr' /> de Toulouse, un concours poétique organisé chaque année par le Collège des art et <br class='autobr' /> science de Rhétorique. Il s’agit d’un ouvrage normatif, probablement le dernier <br class='autobr' /> exemple du genre, qui ouvre simultanément la voie à certaines des interrogations <br class='autobr' /> qui seront celles des arts poétiques de la seconde moitié du (…)</p> - <a href="http://www.panurge.org/spip.php?rubrique59" rel="directory">1.5 Publications</a> <img src='http://www.panurge.org/local/cache-vignettes/L83xH124/arton785-c3c32.jpg?1719618039' class='spip_logo spip_logo_right' width='83' height='124' alt="" /> <div class='rss_texte'><p><i>L’Art et science de rhetoricque metriffiée</i>, paru en 1539 à Toulouse, est l’œuvre de<br class='autobr' /> Gratien du Pont. L’auteur y théorise la pratique des participants aux Jeux floraux<br class='autobr' /> de Toulouse, un concours poétique organisé chaque année par le Collège des art et<br class='autobr' /> science de Rhétorique. Il s’agit d’un ouvrage normatif, probablement le dernier<br class='autobr' /> exemple du genre, qui ouvre simultanément la voie à certaines des interrogations<br class='autobr' /> qui seront celles des arts poétiques de la seconde moitié du siècle.</p> <p>Véronique Montagne est maître de conférences à l’université Nice – Sophia-Antipolis. Elle<br class='autobr' /> est spécialiste de la rhétorique de la Renaissance, de sa théorisation (Jean Sturm, Giovanni<br class='autobr' /> Battista Bernardi, etc.) comme de son usage chez les prosateurs (Marguerite de Navarre,<br class='autobr' /> Bonaventure des Périers, etc.) et les auteurs de traités médicaux (Ambroise Paré, Benoît<br class='autobr' /> Textor, etc.).</p></div> http://www.panurge.org/spip.php?article464 http://www.panurge.org/spip.php?article464 2010-02-28T07:30:00Z text/html en Guillaume Berthon <p>Horace offers in his Carmina a model of transposition of poetry into a lyrical collection which the young French Renaissance poets, seeking both origins and novelty, adopt and adapt in order to evoke, in turn, the lost of origin of lyricism. This resurrection is the object of this study. <br class='autobr' /> Paris : Classiques Garnier, coll. "Etudes et essais sur la Renaissance", 2010, 263 pages, 39.00 € TTC . <br class='autobr' /> EAN9782812401046 (…)</p> - <a href="http://www.panurge.org/spip.php?rubrique59" rel="directory">1.5 Publications</a> <img src='http://www.panurge.org/local/cache-vignettes/L77xH115/arton464-9f5ff.jpg?1719626018' class='spip_logo spip_logo_right' width='77' height='115' alt="" /> <div class='rss_texte'><p>Horace offers in his <i>Carmina</i> a model of transposition of poetry into a lyrical collection which the young French Renaissance poets, seeking both origins and novelty, adopt and adapt in order to evoke, in turn, the lost of origin of lyricism. This resurrection is the object of this study.</p> <p>Paris : Classiques Garnier, coll. "Etudes et essais sur la Renaissance", 2010, 263 pages, 39.00 € TTC .</p> <p>EAN9782812401046</p> <p><a href="http://www.classiques-garnier.com/editions/index.php?page=shop.product_details&flypage=flypage_garnier.tpl&product_id=98&category_id=19&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1" class="spip_url spip_out auto" rel="nofollow external">http://www.classiques-garnier.com/editions/index.php?page=shop.product_details&flypage=flypage_garnier.tpl&product_id=98&category_id=19&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1</a></p></div> http://www.panurge.org/spip.php?article460 http://www.panurge.org/spip.php?article460 2010-02-27T15:35:01Z text/html en Guillaume Berthon <p>Du Cerceau’s graphic work – the most extensive and diverse oeuvre of the 16th century – was examined in its entirety only once before, in 1887. Since then, studies have focused only upon certain aspects of it, but no one has previously examined the full body of work, consisting of 1,700 engravings and 1,200 designs, left to us by the artist. Hence the urgent need for a new monograph which could only be written by a group of dedicated scholars. The first requirement was the compilation (…)</p> - <a href="http://www.panurge.org/spip.php?rubrique59" rel="directory">1.5 Publications</a> <div class='rss_texte'><p>Du Cerceau’s graphic work – the most extensive and diverse oeuvre of the 16th<br class='autobr' /> century – was examined in its entirety only once before, in 1887. Since then, studies<br class='autobr' /> have focused only upon certain aspects of it, but no one has previously examined the<br class='autobr' /> full body of work, consisting of 1,700 engravings and 1,200 designs, left to us by the<br class='autobr' /> artist. Hence the urgent need for a new monograph which could only be written by a<br class='autobr' /> group of dedicated scholars. The first requirement was the compilation of a<br class='autobr' /> photographic corpus that was accomplished with the aide of the Getty Research<br class='autobr' /> Institute. This book is thus the product of an eight-year collective effort. It describes<br class='autobr' /> the career of a great artist under the protection of the French King, explains his<br class='autobr' /> working methods, identifies the many sources which fuelled his imagination and<br class='autobr' /> highlights, at long last, the originality of an admirably multidisciplinary oeuvre : Du<br class='autobr' /> Cerceau the engraver, designer and architect not only created original ornamental<br class='autobr' /> details, but invented new forms of ancient and modern architectural elements, even<br class='autobr' /> as he was a witness to, or an active participant in, French architectural initiatives of<br class='autobr' /> his own time. The two catalogues at the end of this book reject the mistaken<br class='autobr' /> attributions of drawings and prints and describe every group of designs produced by<br class='autobr' /> Du Cerceau, thereby laying the solid foundation of further studies for which this book<br class='autobr' /> may serve as a point of departure.</p> <p><strong>Éditions Picard</strong><br /> 82, rue Bonaparte – F-75006 Paris<br /> commercial@editions-picard.fr<br /> Tel : 33.(0)1.43.26.97.78 - Fax : 33.(0)1.43.26.42.64<br /> <a href="http://www.editions-picard.fr" class="spip_url spip_out auto" rel="nofollow external">www.editions-picard.fr</a></p> <p>Coédition Cité de l’architecture & du patrimoine.</p> <p>Un volume relié 25 × 28 cm, 352 pages, 416 illustrations en couleurs.</p> <p>Prix : 65 € – Parution : février 2010.</p></div> http://www.panurge.org/spip.php?article459 http://www.panurge.org/spip.php?article459 2010-02-27T15:22:28Z text/html en Guillaume Berthon <p>Shortly before or in the year 1559, and with the support of King Henry II, Jacques Androuet du Cerceau agreed to design “the most beautiful houses of France.†In doing so he created a master work, published here in its entirety, and in colour, for the very first time. <br class='autobr' /> The one hundred and sixteen designs which he has drawn on vellum – better than the two volumes of prints dedicated to Catherine de Medici, who had backed his enterprise from the start – are unquestionably the work of (…)</p> - <a href="http://www.panurge.org/spip.php?rubrique59" rel="directory">1.5 Publications</a> <div class='rss_texte'><p>Shortly before or in the year 1559, and with the support of King Henry II, Jacques Androuet du Cerceau agreed to design “the most beautiful houses of France.†In doing so he created a master work, published here in its entirety, and in colour, for the very first time.</p> <p>The one hundred and sixteen designs which he has drawn on vellum – better than the two volumes of prints dedicated to Catherine de Medici, who had backed his enterprise from the start – are unquestionably the work of a brilliant designer. They feature not only architectural and topographic images, but also lively figures and accompanying captions, which offer us highly realistic portraits of chateau life in the Renaissance.</p> <p><i>Les Plus excellents bâtiments de France</i> constitutes a genuine reference work and illustration of French architecture. Du Cerceau’s drawings provide us with a magnificent panorama of the views, plans and façades of the French kingdom’s most imposing chateaux: medieval fortresses (Vincennes, Coucy, Creil) and sumptuous Early Renaissance chateaux in the Loire Valley (Amboise, Blois, Chambord) and in the Paris region (Fontainebleau, Saint-Germain-en-Laye) ; the Bois de Boulogne chateau – the so-called “Madrid Castle†built for Francis I – the Parisian counterpart of Chambord and the modern counterpart, west of the capital, of the East Bois de Vincennes chateau; Classical Renaissance masterpieces such as the Louvre, Anet, Ancy-le-Franc and the unfairly underrated Vallery chateau, which is the prototype of the “brick and stone†chateaux of Henry IV and Louis XIII time, not to mention Écouen – now the site of the Musée national de la Renaissance – and the highly original pentagonal chateau of Maulnes-en-Tonnerois. This book also gives readers the opportunity to discover the grand chateaux conceived by, and for, Catherine de Medici, which, for the most part, remained only on paper: the master plan for the Tuileries in Paris, the extraordinary chateau-palace which was to magnificently envelop the first Chenonceaux, and the no less extraordinary Charleval chateau planned for Charles IX, to be built adjacent to the forest of Lyons in Normandy.</p> <p><strong>Éditions Picard</strong><br /> 82, rue Bonaparte – F-75006 Paris<br /> commercial@editions-picard.fr<br /> Tel : 33.(0)1.43.26.97.78 - Fax : 33.(0)1.43.26.42.64<br /> <a href="http://www.editions-picard.fr" class="spip_url spip_out auto" rel="nofollow external">www.editions-picard.fr</a></p> <p>Coédition Cité de l’architecture & du patrimoine et Le Passage.</p> <p>Un volume relié 28 × 23 cm, 256 pages, 250 illustrations en couleurs.</p> <p>Prix : 49 € – Parution : février 2010.</p></div>